• About
  • -Bio
  • -Contact

• On-Going
  • -Stories by the Dying Ember
  • -Double Dream Hotel
  • -Transmission
  • -Blue Trees, Black Fruits
  • -Enlarged Nerves
  • -The Retrograde
  • -A Curved Wall
  • -Shapes and Shadows

• Projects
  • 2020
    • -Strange Things
  • 2019
    • -We Hesitate to Wash Ourselves in Muddy Water
    • -Melting! Melting!
  • 2018
    • -Tom, Dick, and Harry
    • -Cinema Surrogate #3
    • -The Body and the Seed
  • 2017
    • -Aperture
    • -Suppose, There is A
    • -The Genius of the Crowd
  • 2016
    • -Cinema Surrogate #2
    • -Peninsular Session #1
    • -Klaus
    • -Covert Overt
    • -State of Motion
  • 2015
    • -Dog and Butterfly
    • -OH! Joo Chiat
    • -Closest, Softest Thing
    • -Clean (aka Mike's Car Wash)
  • 2014
    • -Blind
    • -The Beach that Never Was
  • 2013
    • -Motherland
    • -This Place is Elbow Deep
    • -Arrival Reception
  • 2012
    • -Welcome Door Mat
    • -Artist Door at 45 Degree
    • -Pulau Ubin Residency
  • 2011
    • -Bench and Pebble
    • -Chair on the Staircase
    • -Swimmer
  • 2010
    • -Room 2
  • 2009
    • -Truism Near a Water Fountain
    • -Three Sculptures
  • 2008
    • -Horizon, or Do Fish Drink Water?
  • 2005
    • -Fresh Veg

Film still from George Romero's Dawn of the Dead (1978)

The photography project Room 2 exams the aesthetics of spaces of waiting and survival. The photographs references the barricaded storeroom in a shopping mall overrun with zombies from George Romero's 1978 cult classic film Dawn of the Dead. While the outside world is in chaos, the interior space in clean and well kept, suggesting a playful Minimalistic aesthetic.